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Ma Fleur (2021 Reissue)

by The Cinematic Orchestra

supported by
Ameer Ashanti
Ameer Ashanti thumbnail
Ameer Ashanti what is this a new track listening Favorite track: In To You.
Éléonore thumbnail
Éléonore Lyrical with a great sense of melody, incredibly well structured. You are immediately taken into the world of the album. The tone is something of the order of a luminous kind of nostalgia. One of my favorite buys on this platform. Favorite track: To Build A Home.
jennifer elias
jennifer elias thumbnail
jennifer elias Gorgeous variety of sounds on this album. A long, slow dive. Some songs remind me of Antony and the Johnsons. Then the album goes to a different, quieter world. Favorite track: To Build A Home.
alpnbär thumbnail
alpnbär I'm proud to own all albums of this fantastic music collective. I really love the mix of electronica and melancholy with excellent guest vocalists on this lp. Always have one of their albums in reach to listen. Favourite track: 'Time And Space' (closely followed by 'To Build A Home') Favorite track: Time And Space.
boomertx thumbnail
boomertx Legitimately the greatest album I have ever listened to. The Cinematic Orchestra, Fontella Bass, Lou Rhodes, Patrick Watson... you all come together to create such a beautiful expression. Favorite track: Familiar Ground.
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Child Song 05:14
Music Box 05:03
Prelude 02:43
In To You 03:02
Ma Fleur 04:32
Breathe 06:33
That Home 01:43


May 7th sees the release of the first full studio album by Jason Swinscoe's Cinematic Orchestra since 2002's "Everyday". Entitled "Ma Fleur," the record was written as the soundtrack to a specially commissioned screenplay for an imagined film (which may or may not yet be made).

Shortly after finishing "Everyday," a piece of music which achieved great critical and commercial success (selling over 100,000 units) Jason Swinscoe relocated from East London to Paris. Here he began work on the instrumentals which would form the basis of his new record - more moods than finished tracks, a series of sketches or diagrams of directions to follow. Having completed a rough version by early 2005, he gave this to a friend who disappeared for 3 weeks and came back with short story scripts in which each scene represented a story of a different time in life, expressing the emotions which underpin the journey from birth to death. Jason then took this and worked some more on the tracks, and in turn gave this back to his scriptwriter, the two aspects of the project developing alongside one another.

Gradually, Swinscoe recruited suitable vocalists for the atmospheres and themes he wanted to deal with. The remarkable Fontella Bass, who is now sadly in frail health, is the woman behind both legendary soul number "Rescue Me" as well as some of the Art Ensemble of Chicago's finest moments, had worked on "Everyday" and was an obvious choice to voice the parts of the elderly protagonist that Swinscoe envisaged. Mercury-nominated Lou Rhodes is not only a fantastic singer but a young mother and so perfect for the "mid-life" singer. The as-yet unheralded Patrick Watson, a remarkable vocalist from Montreal, became the youngest of the trio.

Swinscoe, now based in New York, then filled out the arrangments with the band and assistance from his old collaborator, bassist Phil France. As a final part of the process, renowned New York photographer Maya Hayuk was commissioned to take 11 pictures to represent each of the scenes/tracks. These pictures, scenes where the characters are missing or abstracted or metaphoric, would once again feed back into world of the soundtrack for a missing film. These images relate to individual moments and the overall at the same time, "leaving the spaces as empty as possible was paramount" so the viewer/listener can fill them, finish them or re interpret them as they see fit.

Dealing with themes of loss and love - and in itself representing a kind of absence - "Ma Fleur" is fertile ground for Swinscoe's brand of music-making, for while people have talked about what he does in terms of jazz, the truth is that the basis of his music has always been in raw emotion. From the achingly beautiful opener "To Build A Home" to the finale, "Time And Space," this is an album which reaches for and finds a truth and honesty far beyond what we would normally expect from such a record, but without losing any of the accessibility which made TCO popular in the first place. If the mood is melancholy, Swinscoe and the musicians he works with manage to make it an ultimately uplifting experience, perhaps in the end more about the love you find than the love you lose…

The Cinematic Orchestra will be bringing their acclaimed liveshow to international venues from April.


released July 5, 2007


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The Cinematic Orchestra London, UK

The Cinematic Orchestra were formed by Jason Swinscoe in 1999 and have become one of the most respected British acts of the last 17 years. Possessed of an emotional gravitas that transcends genre, they have sold out the Royal Albert Hall (twice) as well as the Sydney Opera House, and played countless international festivals the world over. ... more


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